#Live paint bucket illustrator how to

This process can be the toughest bit for those starting out so don’tworry, just plan ahead of time! If you’re going to be creating 3-4 final imagesand they’re all illustrations, set out 2-3 weeks of time, leaving an extra weekfor portfolio final touches. You might be able to change the composition later on,but it depends on your model.Īfter you’ve set a scene for your image, we would suggestdoing a couple of test renders using the basic rendering engine on yoursoftware and then exporting line drawings to see what needs to be fixed orchanged. We often make the mistake of trying to fit as much in as possible and while this may be fine for an overhead view or axonometric projection, these kinds of images are giving a glimpse into your project and you will only have 3-4 of these in total so choose your scenes carefully.Īnother thing to consider is the presentation of the image.Is your projection portrait or landscape and if either, think about why? Tryand have a focal point of the image and show some kind of depth if possible.Usually during painting or photography, you think about a foreground,middle-ground and background so try and sketch this out and try a couple ofdifferent compositions. You can even sketch out or clay-render different options. Have a look at general architecture photography for real projects. At this point we’d recommend you think about composition as well. If you have a scene or view in mind use a camera to play around till you get a good view. Remember your image is about the architecture firstand the details just enhance the architecture and the project. If you’re going for anillustrated look, you don’t actually need 3D modelled furniture, you can justadd it in post-production. Try and not make the mistakeof overloading the model with imported objects. We think this is most helpful if you have custom structuresor cladding that goes around the entire building. So, your first step needs to be to clean up your model, save a new copy and then delete the parts you’re definitely not going to be working on. You don’t want to constantly be having to model things for no reason when it’s not going to be in view. It can be a good idea to create a separate model just for your perspectives. The Importance of a Base Model for Line WorkĪt this point in the year, you should have a really solid 3D model or at least a part of your project that is decently and properly modelled. If you’re here for just the adding colour part of the tutorial, skip ahead here. Usually these aren’t to scale so there aren’t any restrictions, but a model can help with overall measurements and figuring out the scales of walls or objects.

The other alternative is to come up with illustrations based simply off a sketch or your imagination. This isn’t compulsory, but if you’re already modelling your building and are planning on using it for other purposes, it can be easier to do it this way. We’re using a 3D model as a base for this image and any other illustrations. Best if you have a noticeboard or plain wall in front of your desk.īartlett Living Laboratory - Eleni Pourdala Personally, I like printing them out and keeping it in front of me so it’s always in my mind. It can be the colour palette, composition or small details. You could even look at units who have websites or blogs and look through the archives and find one that appeals to you and your project. We’d suggest starting in your own university, look at works of those studying masters to understand the processes behind these types of images. You can look at Pinterest or even Instagram. If you’re really stuck, look for some inspirational images online. After adding colour, there’s still a lot of post-production that you can work on. You may need to have a decent model to begin with in a 3D modelling program like Rhino or Sketchup. Of course, we explain adding colour in detail, but you still have to understand that there are two major processes before and after this stage. This tutorial is for creative simplistic, minimal yet sometimes stunning illustrations.

#Live paint bucket illustrator how to

We’ve all seen realistic renders and imaginative illustrations, but do you really know how it all comes together? Most people really underestimate the process of such images and often, first or second year students might not even have an idea how to go about doing this.